Cinematic Theories of Perception, Representation, and Signification: Analysis and Application
Number of pages:
18
ABSTRACT:
An 18 page paper which examines these theories, as described in J. Dudley Andrew’s text, “Concepts in Film Theory,” applies them to such Asian films as “Visitor Q,” “Dead or Alive,” “Old Boy,” “Sympathy for Mr. Vengeance,” “Happy Together,” Take Care of My Cat,” and “Crazed Fruit,” and also provides a detailed consideration of Korean director Park Chan-wook and his films. Bibliography lists 16 sources.
FILE NAME:
File: TG15_TGperepsig.rtf
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